Category: Essay

  • James Taylor at Bethelwoods

    James Taylor at Bethelwoods

    A night that I wished went on forever.

    We all know that rock concerts end in an encore. It has to happen. It all comes down to how the artist will handle it in a way that will be unique and appear spontaneous and a spur-of-the-moment thing.

    When the program was over and James waved goodbye and he and the band members walked offstage, the audience stayed put and continued clapping. A few moments later James and the band walked back onstage and played more songs.

    After that, James and the band made their formal bows and the stage lights came on. Below you can see some band members starting to pack while James walked to each one making hand signals and gestures as if begging them to stay a bit longer to grant the audience’s wish.

    So, we had two encores.

    I was sure the whole encores-thing was rehearsed. After all, they just came to Bethelwoods from another tour location the night before and dozens of others before that, and each, I was sure, ended in an encore. One could say the encore was, as with all concerts and not just James’, um, a farce.

    But with James it all seemed genuine. In his 1985 song, “That’s Why I’m Here”, he wonders aloud about “fortune and fame” being “a curious game” where “perfect strangers call you by name” paying “good money to hear Fire and Rain again and again and again.” Then in the same stanza he comes to an epiphany: “I break into a grin from ear to ear and suddenly it’s perfectly clear–that’s why I\’m here.” Be the farce as it may his encore represented a genuine desire to deliver and please an adoring crowd.

    When I bought our tickets months before the concert, I was only thinking I should. He was, after all, in my county’s backyard. I thought no more of it than, say, buying tickets for an amusement park. But when the concert came and then it was over and days passed—and James became more and more a distant memory—he seemed to come ever closer to this poor fan’s heart.

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  • The Piano Player

    The Piano Player

    Amazing Grace at Bryant Park.

    I thought there was something sad about a woman sitting at a piano alone playing for an inattentive crowd. I also thought, what could be sadder still than when the woman starts singing to herself?

    Such was the state I saw her in when I ambled into Bryant Park where I supposed in the summer an entertainer was hired to bring music.

    An opportuning photographer that I was, who as far as she was concerned, had only regard for capturing images and none for comprehending music, I approached slowly from behind knowing that my camera’s noise would surely rouse her from her melancholy.

    Whether or not she heard me snapping photos, she kept on playing. She sang “Amazing Grace” listlessly I’d say as if in resignation to the fact that an audience of one however disinterested was better than none.

    Soon, however, I heard footsteps and a small crowd formed behind me. I stepped to the side and then to the back of the piano to give the crowd room. I raised my camera and took more pictures at my new location, this time facing her.

    As I did, she looked up at me and smiled. She held her smile for some time while she continued singing until perhaps she was sure that I had taken my shot. She then lowered her eyes again at the keyboard.

    While I had my camera pressed to my face, I realized I was in the prime spot for hearing her music — in front of her and in the back of the piano — and thought it a shame that her back was turned to the crowd because I alone could hear the fullness of her voice and how relaxing and gratifying it sounded as she sang with growing passion and emotion.

    When it was over, the crowd gave applause and she bowed in return. She talked to them about music — a young crowd of what appeared to be college students.

    In the past, I have on occasion been to places where I was asked to not take pictures and to leave the premises. So always in the back of my mind I was prepared to leave promptly and politely however picture-perfect the scene may be and however dour and downcast I might feel.

    This time however, I walked away feeling valiant and lofty. As the smile on the woman’s face seemed to attest perhaps thanking me from the bottom of her heart for bringing to her the crowd, photography was welcome. I’m no knight in shining armor but I like to think that my actions however perfunctory and my thoughts however delusionary bring justice to the world and peace to humankind, and even then when circumstances arise, find occasion to respond and dispense aid to a damsel in distress.

    The piano player’s name is Christy Tennant. Her website is everythingchristy.wordpress.com.

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